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PAMS of Dallas


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Dedicated in memory of Jim Collins



 

PAMS of Dallas

All jingles below are copyrighted by PAMS of Dallas, and are used by permission. Special thanks to Jonathan Wolfert as well as contributors Lee Whitney, Ken R., Tracy Carmen, Don Worsham and Norman Barrington.

 

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1958

Play Name Run
WPGC Play Audio Button PAMS Series 6 - 'Color Radio' - WPGC's Gone Color :38

PAMS Series #6 'Color Radio' had been created in 1957 for KJOE in Shreveport and WKDA in Nashville, though the term itself had been made popular by Chuck Blore at KFWB in LA earlier.

WPGC had adopted the TV-like phrase soon afterwards and used one cut from this package to reinforce the slogan of the station in 1959 designed to explain to listeners the station was as modern as color sets were to TV.

 

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1959

Play Name Run
WPGC Play Audio Button PAMS - Series 9 - 'Highland' 1:23

 

1959 saw PAMS release its Series #9, 'Highland' package which featured long cuts. Though a number of stations around the country including the Bartel stations used the package, it was not a big seller for PAMS.

One that did however, was WPGC. Special thanks to the late, Lee Whitney who recorded these on a reel to reel deck from his home in Arlington, VA directly off the air on WPGC-FM in 1959.

 

Play Name Run
WPGC Play Audio Button Everyday's A Holiday :32
WPGC Play Audio Button Happy Time Listening (Open) :07
WPGC Play Audio Button Happy Time Listening (Close) :03
WPGC Play Audio Button Mr. Weatherman, What's the Weather Gonna Be? :11
WPGC Play Audio Button You've Found the Sound - WPGC 1580 Color Radio :11
WPGC Play Audio Button We've Got Music, Late News - 1580 Radio WPGC :18

 

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1963

Special thanks to Good Guy, Harv Moore for the above.

Play Year Name Run
WPGC Play Audio Button 1963 PAMS - 'Washington, My Home' song 4:08


In the early '60's,
PAMS had included cuts on it's Series #16 'Sound of the City' & Series #17 'New Frontier' packages that spotlighted mini-songs localized to each market, sung by a female soloist. The concept was refined further in 1963 when the full length, 'My Home Town' song was created as a stand alone cut with multiple singers. Custom lyrics for each city created the illusion a unique song had been written for the town listeners lived in.

The 'Washington, My Home' song was commissioned by WPGC that year. Copies were pressed onto vinyl and given to staff members and possibly to listeners as well. Listen for the mention of WPGC towards the end of the four minute song. Special thanks to contributor, the late, Lee Whitney who received the original PAMS tape in 1972 from JAM President, Jonathan Wolfert who worked at PAMS at the time and who rescued the only copy of it in existence from the trash can!

 

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Play Year Name Run
WPGC Play Audio Button 1963 PAMS - Series 22 - Sono-Magic 1:25
WPGC Play Audio Button 1963 PAMS - Series 22 - Sono-Magic Instrumentals 2:23


By 1963, simple electronic effects were being used in jingle packages.
PAMS created a stir using the Sonovox technique, a means of deliberately distorting the human voice electronically to great effect. So much so, that an entire package was built around it. Such was Series #22 'Sono-Magic' which Program Director, Dean Griffith #1 (Dean Anthony) ordered that year.

Also included in the collection were the instrumental tracks used in the creation of the final product. Those music-only cuts are also featured here and illustrate just how attention getting the Sonovox effect was, at least by 1963 standards.

 

Play Cut Name Run
  01 WPGC, 1580 :XX
  02 Where There's Music, Where's There's News :XX
  03 Poop Poopy Doop :XX
  04 WPGC, 1580 :XX
  05 WPGC :XX
  06 Go-Go Good Guys Radio :XX
  07 Keep Singin', Keep Swingin' :XX
  08 What's with the Weather, Mr. P-G? :XX
  09 Where the Music Speaks For Itself :XX

 

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Play Year Name Run
WPGC Play Audio Button 1963 PAMS - Series 24 - 'His & Her Radio' :45

PAMS released so many packages in such quick sequence it's hard to keep track of all of them even today, much less at the time. Policing which station had actually bought which package was a difficult proposition at best, particularly since many stations opted to legitimately purchase some packages but 'borrow' other cuts from other packages that they hadn't. The telltale clue - no call letters!

Listen to these cuts from Series #24 'His & Her Radio' that contain no mention of WPGC but plenty of references to 'Good Guys Radio'. Their origin was another station somewhere which also used the 'Good Guys' slogan. A sharp razor blade in the production room worked wonders - instant jingles without the bother of actually having to order them!

The practice was widespread in the industry. Even if caught in the act, it's questionable whether PAMS would have enforced prohibiting their use, fearing a station might not order future packages from them. Case in point, in 1963-64 alone, WPGC bought the 'Washington, My Home' song as well as Series #22, #25, and #27. What's a little stealing amongst friends?!

In the middle of this montage taped off the air on WPGC, listen for Bob Raleigh #1 (Rolle Ferreira) talk over a jingle donut. He would leave for WWDC the following year.

 

Play Year Name Run
  1963 Let the Good Times Roll :XX
  1963 Another Contest On Good Guys Radio :XX
  1963 Good Company Anywhere :XX
  1963 On Good Guys Radio :XX
  1963 Good Guys Radio :XX

 

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Play Year Name Run
  1963 PAMS - Series 25 - 'The Happy Difference' :XX

PAMS output was in high gear in 1963. By the end of the year, a memorable package featuring twin 8 year old girls below, Carol and Lauri Raymond was offered. The girls were relatives of one of the actual jingle singers at PAMS. While the novelty of children singing station jingles wore off quickly, there was no denying how cuts in Series #25 'The Happy Difference' commanded attention.

 

WPGC - PAMS - Series 25 - Happy Difference

 

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1964

 

Play Year Name Run
WPGC Play Audio Button 1964 PAMS - Series 26D - Beatles :23


Beatlemania
took over the nation's airwaves early in 1964 and reached epic proportions with their first concert in America at the DC Coliseum. Hysteria was equally as great in New York for their Ed Sullivan Show appearances.
PAMS was quick to assemble a package of Beatles sound-alike jingles, so much so, they appeared as an addendum to Series 26 'Let's Go America' rather than a package unto itself.

The audio heard here is a crude recording off the air made with a microphone placed in front of a radio speaker from 09/08/64. On it, 'Marvelous Marv' Brooks can be heard playing a cut that sound suspiciously like it may have been a home grown affair with someone at the station having sung the WPGC call letters over another station's at the end!

 

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Play Year Name Run
WPGC Play Audio Button 1964 PAMS - Series 27 - 'The Jet Set' 8:04


Just as 1964 marked a distinct change in direction musically with the arrival of The Beatles, so too was the case with
PAMS jingles. Work on Series #27 'The Jet Set' began in November, 1963. Recording sessions for the pilot package for WABC were underway the day of the tragic JFK assassination.

It's fresh new sound veered away from the Big Band arrangements of previous packages and quickly became PAMS most successful offering up to then. Demand was great; countless stations in cities all over America used these jingles including WPGC in 1964 which Program Director, Dean Griffith #1 (Dean Anthony) ordered before his departure in November of that year for WMCA in New York.

Play Year Name Run
WPGC Play Audio Button 1964 'Morning Mayor' Show :13
WPGC Play Audio Button 1964 'Tiger Bob' Raleigh :13
WPGC Play Audio Button 1964 'Dean Griffith' Show :13
WPGC Play Audio Button 1964 It's Him, 'Gentleman Jim' :13
WPGC Play Audio Button 1964 1580 On Your Dial :13
WPGC Play Audio Button 1964 Guitar, Flute :23
WPGC Play Audio Button 1964 (Surf SFX) Guitar, Flute :30
WPGC Play Audio Button 1964 (Jet SFX) :16
WPGC Play Audio Button 1964 (No Jet SFX) :11
WPGC Play Audio Button 1964 Sport Report - Stager :12
WPGC Play Audio Button 1964 Greater Washington :11
WPGC Play Audio Button 1964 Brightest Thing In the Air :16
WPGC Play Audio Button 1964 A Positive Charge :14
WPGC Play Audio Button 1964 Remember This Flashback - Stager :18
WPGC Play Audio Button 1964 1580 Weather Tower - Stager :14
WPGC Play Audio Button 1964 New Music - Stager :32
WPGC Play Audio Button 1964 Pulsebeat News - Stager :17
WPGC Play Audio Button 1964 (Sports Car SFX) :27
WPGC Play Audio Button 1964 Doo Bee Doo Bee Doo :20
WPGC Play Audio Button 1964 It's A Blast :10
WPGC Play Audio Button 1964 Thank Goodness It's Fun :13
WPGC Play Audio Button 1964 All Weekend At 1580 - Stager :13
WPGC Play Audio Button 1964

Hear the Morning Mayor

:14
WPGC Play Audio Button 1964 You're A Winner - Stager :21
WPGC Play Audio Button 1964 (Diving Board SFX) :14
WPGC Play Audio Button 1964 Spend Your Day 1:06

 

In addition to the above cuts, stations who ordered the package were also offered 'Pre-Records', a collection of generic cuts which did not use the station's call letters and which could be used as the station saw fit.

 

Play Year Name Run
WPGC Play Audio Button 1964 PAMS - Series 27 - 'The Jet Set' - 'Pre-Records' 8:05

 

The assortment of production aids included music beds, contesting elements, sound effects and so forth, not to mention a month long, day-by-day countdown till school was out!

 

Play Year Name Run
WPGC Play Audio Button 1964 Time To Turn 1 :06
WPGC Play Audio Button 1964 Time To Turn 2, So You Won't Burn :11
WPGC Play Audio Button 1964 Time To Turn 3 :08
WPGC Play Audio Button 1964 Time To Turn 4 :11
WPGC Play Audio Button 1964 31 Days Till School's Out! :09
WPGC Play Audio Button 1964 30 Days Till School's Out! :08
WPGC Play Audio Button 1964 29 Days Till School's Out! :08
WPGC Play Audio Button 1964 28 Days Till School's Out! :08
WPGC Play Audio Button 1964 27 Days Till School's Out! :08
WPGC Play Audio Button 1964 26 Days Till School's Out! :08
WPGC Play Audio Button 1964 25 Days Till School's Out! :08
WPGC Play Audio Button 1964 24 Days Till School's Out! :08
WPGC Play Audio Button 1964 23 Days Till School's Out! :08
WPGC Play Audio Button 1964 22 Days Till School's Out! :08
WPGC Play Audio Button 1964 21 Days Till School's Out! :08
WPGC Play Audio Button 1964 20 Days Till School's Out! :08
WPGC Play Audio Button 1964 19 Days Till School's Out! :08
WPGC Play Audio Button 1964 18 Days Till School's Out! :08
WPGC Play Audio Button 1964 17 Days Till School's Out! :08
WPGC Play Audio Button 1964 16 Days Till School's Out! :08
WPGC Play Audio Button 1964 15 Days Till School's Out! :08
WPGC Play Audio Button 1964 14 Days Till School's Out! :08
WPGC Play Audio Button 1964 13 Days Till School's Out! :08
WPGC Play Audio Button 1964 12 Days Till School's Out! :08
WPGC Play Audio Button 1964 11 Days Till School's Out! :08
WPGC Play Audio Button 1964 10 Days Till School's Out! :08
WPGC Play Audio Button 1964 9 Days Till School's Out! :08
WPGC Play Audio Button 1964 8 Days Till School's Out! :08
WPGC Play Audio Button 1964 7 Days Till School's Out! :08
WPGC Play Audio Button 1964 6 Days Till School's Out! :08
WPGC Play Audio Button 1964 5 Days Till School's Out! :08
WPGC Play Audio Button 1964 4 Days Till School's Out! :08
WPGC Play Audio Button 1964 3 Days Till School's Out! :08
WPGC Play Audio Button 1964 2 Days Till School's Out! :08
WPGC Play Audio Button 1964 1 Day Till School's Out! :08
WPGC Play Audio Button 1964 Diving Board & Water Splash SFX 1 :04
WPGC Play Audio Button 1964 Diving Board & Water Splash SFX 2 :06
WPGC Play Audio Button 1964 Pool Party Crowd Ambience SFX 1:51
WPGC Play Audio Button 1964 Motorboat SFX :51
WPGC Play Audio Button 1964 Ocean Surf SFX 1:20

 

WPGC - Red Divider Ba

 

1969

Play Year Name Run
WPGC Play Audio Button 1969 PAMS - 'Grid' 8:26

 

Late in 1968, PAMS introduced what was considered at the time a revolutionary concept - a means by which basic jingle beds could be created for use by any station, yet still customized for each one individually by the incorporation of that station's musical logo at the front or end.

This was accomplished with an early multi-track reel to reel tape machine. Unique musical station logos were added on separate tracks apart from the basic jingle beds. PAMS called the concept, 'Grid'. WPGC was one of many stations to use the package in 1969.

 

Play Year Name Run
  1969 'Handy Andy' (Jock Shout) :XX
  1969 'Tiger Bob' Raleigh (Jock Shout) :XX
  1969 Mark West (Jock Shout) :XX
  1969 Dave MacKay (Jock Shout) :XX
  1969 WPGC (No Jock Shout) :XX
  1969 Legal ID (slow) :XX
  1969 Good Guys Radio :XX
  1969 Good Guys Radio (Male Singers only) :XX
  1969 20 / 20 Music - #1! :XX
  1969 20 / 20 Music (No - #1!) :XX
  1969

All Summer Long 1

:XX
  1969 All Summer Long 2 :XX
  1969 High Flyin' - #1! :XX
  1969 Music Power :XX
  1969 Fun Lovin, Crowd Pleasin' Good Guys :XX
  1969 Summer Fun Power 1 :XX
  1969

Summer Fun Power2

:XX
  1969 Power Play :XX
  1969 Music Power - Power Play :XX
  1969 WPGC - Memory (slow) :XX
  1969 Double Power Play :XX
  1969 Fun Lovin', Crowd Pleasin' GG - Music Pow :XX
  1969 Instrumental :XX
  1969 FM Legal ID :XX
  1969 With Music Power :XX
  1969 Music Power, Music Power, Music Power :XX
  1969

Non-Stop Music

:XX
  1969 It's A Good Guy Fun Weekend :XX
  1969 Good Guys Sure Shot :XX
  1969 Million Dollar Music :XX
  1969 Good Guy Best Bet :XX
  1969 Means Music :XX
  1969 Hit Power, Hit Power, Hit Power, Hit Power :XX
  1969 It's A Good Guy Fun Weekend (a capella) :XX
  1969 Million Dollar Music (a capella) :XX
  1969 Super Weight Hit Power :XX
  1969 Fab Flashback :XX
  1969 Outta Site! :XX
  1969 Music Pow-Pow-Pow-Power :XX
  1969 50,000 Pow-Pow-Pow-Powerful Watts :XX
  1969 F-M - Fun Music :XX
  1969 Yesterplay (slow) :XX
  1969 Triple Power Play :XX
  1969 Instrumental :XX
  1969 WPGC (& Instrumental) :XX
  1969 WPGC - Outta - Site! :XX
  1969 Yesterplay (a capella) :XX
  1969 Triple Power Play (shout) :XX
  1969 Music Pow-Pow-Pow-Power (a capella) :XX
  1969 Music Pow-Pow-Pow-Power (with efx) :XX
  1969 (efx only) :XX
  1969 Weather Wardrobe (& bed) :XX
  1969 You're Looking Good! :XX
  1969 More Music Pow-Pow-Pow-Power :XX
  1969 'Bob Peyton' (Jock Shout) :XX
  1969 WPGC :XX
  1969 WPGC - Music :XX
  1969 WPGC (slow) - Music (fast) :XX
  1969 WPGC (slow) - Music (slow) :XX
  1969 WPGC - Music (slow) :XX
  1969 WPGC :XX
  1969 Moog EFX :XX
  1969 Faster Moog EFX :XX
  1969 Moog Warble EFX :XX
  1969 Moog Warble EFX with Echo :XX
  1969 Moog EFX only :XX
  1969 Moog EFX with Echo :XX
  1969 High Flyin' WPGC :XX
  1969 Music Power - Good Guys Radio - POW! :XX
  1969 Ascending / Decending Moog - Power :XX
  1969 Fun Lovin', Crowd Pleasin' (All Male Vocal) :XX
  1969 All Summer Long - POW! :XX
  1969 High Flyin' Good Guys Radio (& Moog) :XX
  1969 Music Power, Music Power (& Moog) :XX
  1969 Music Power, Music Power (a capella) :XX
  1969 Slow Moog EFX :XX
  1969 WPGC - Non-Stop Music (a capella) :XX
  1969 Hit Power, Hit Power, Hit Power (& Moog) :XX
  1969 Music Power, Music Power (Different Moog) :XX
  1969 Slow Moog Warble :XX
  1969 It's A Good Guy Fun Weekend (a capella) :XX
  1969 WPGC (Fast) :XX
  1969 Million Dollar Music (a capella) :XX
  1969 Quick Sting :XX
  1969 Slow Moog with Warble :XX
  1969 With Music Power (Male a capella) :XX
  1969 Good Guys Best Best (& Moog) :XX
  1969 Moog with Decending Glide :XX
  1969 Time Sounder EFX only :XX
  1969 Yesterplay (a capella) :XX
  1969 50K Pow-Pow-Powerful Watts (a capella) :XX
  1969 Outta- Site! (& Moog) :XX
  1969 Outta- Site! (a capella) :XX
  1969 F-M - Fun Music (a capella) :XX
  1969 Music Pow-Pow-Pow-Power (& Moog) :XX
  1969 Time Sounder (with Decending Moog) :XX


WPGC - Red Divider Ba

 

Play Year Name Run
WPGC Play Audio Button 1969 PAMS - 'Grid' - Additional Cuts 6:12

 

As the '70's were about to dawn, new sounds were being heard in station jingles. These cuts were notable for the inclusion of a Moog synthesizer. A new, younger group of singers was also used to make this set stand apart from the competition as well as previous PAMS packages. WPGC Program Director, Charlie Shoe ordered both of these packages in 1969.

 

Play Year Cut Name Run
  1969 WPGC - Super Weight Hit 1, Hit 1, Hit 1 :XX
  1969 WPGC - Super Weight Hit 2, Hit 2, Hit 2 :XX
  1969 WPGC - Super Weight Hit 3, Hit 3 , Hit 3 :XX
  1969 WPGC - Super Weight Hit 4, Hit 4 , Hit 4 :XX
  1969 WPGC - Super Weight Hit 10, Hit 10 , Hit 10 :XX
  1969 WPGC Music Power - Super Weight :XX
  1969 WPGC - Harv Moore (Jock Shout) :XX
  1969 WPGC - Charlie Shoe (Jock Shout) :XX
  1969 WPGC - Davy Jones (Jock Shout) :XX
  1969 WPGC - 'Gentleman Jim' (Jock Shout) :XX
  1969 WPGC - 'Famous Amos' (Jock Shout) :XX
  1969 WPGC - 'Handy Andy' (Jock Shout) :XX
  1969 WPGC - 'Tiger Bob' Raleigh (Jock Shout) :XX
  1969 WPGC - Mark West (Jock Shout) :XX
  1969 WPGC - Dave MacKay (Jock Shout) :XX
  1969 WPGC (No Jock Shout) :XX
  1969

AM & FM Legal ID (a capella)

:XX
  1969 WPGC - Good Guys Radio (Female Sing) :XX
  1969 WPGC - Good Guys Radio (Male Sing) :XX
  1969 20 / 20 Music (Female Sing) #1! (Shout) :XX
  1969 20 / 20 Music (& Descending Glide) :XX
  1969 All Summer Long (Female / Male Sing) :XX
  1969 All Summer Long (As above with Bridge) :XX
  1969 High Flyin' WPGC - #1 (Female / Male Sing) :XX
  1969 Music Power - Good Guys Radio (& Sting) :XX
  1969 Fun Lovin' Crowd Pleasin' (Male) :XX
  1969 Summer Fun Power (Male Shout) :XX
  1969 Summer Fun Power (Male Shout w/ Bridge) :XX
  1969 WPGC - Power Play (Male / Female Sing) :XX
  1969 Music Power - WPGC - Power Play :XX
  1969 WPGC - Memory (Fast > Slow Transition) :XX
  1969 WPGC - Double Power Play :XX
  1969 Fun Lovin' Crowd Pleasin' - Music Power :XX
  1969 Instrumental :XX
  1969 FM Legal ID :XX
  1969 WPGC - With Music Power :XX
  1969 Music Power, Music Power, Music Power :XX
  1969 WPGC - Non-Stop Music (Male Sing) :XX
  1969 It's A Good Guy Fun Weekend :XX
  1969 WPGC - Good Guys Sure Shot (Stager) :XX
  1969 Million Dollar Music :XX
  1969 WPGC - Good Guy Best Bet (Stager) :XX
  1969 WPGC - Means Music :XX
  1969 Hit Power, Hit Power, Hit Power :XX
  1969 It's A Good Guy Fun Weekend (a capella) :XX
  1969 Million Dollar Music (a capella) :XX
  1969 WPGC - Super Weight Hit Power :XX
  1969 Fab Flashback (Stager) :XX
  1969 Outta-Site! (Male Sing) :XX
  1969 Music Power (& Descending Glide) :XX
  1969 50K Powerful Watts - FM - Fun Music :XX
  1969 WPGC - Yesterplay (Stager) :XX
  1969 WPGC - Triple Power Play (Shout) :XX
  1969 Instrumental (With Time Check SFX) :XX
  1969 Time Check SFX (& Descending Glide) :XX
  1969 Outta-Site! (Male Sing w/Time Check SFX) :XX
  1969 Yesterplay (Stager) (a capella) :XX
  1969 Triple Power Play (Male Shout) :XX
  1969 Music Pow-Pow-Pow-Power (a capella) :XX
  1969 Time Check SFX (w/Music Pow-Pow-Power) :XX
  1969 Time Check SFX (In the Clear) :XX
  1969 WPGC - Weather Wardrobe (& Bed) :XX
  1969 You're Looking Good (a capella) :XX

 

WPGC - Red Divider Ba

 

1972

 

Over the years, PAMS created more custom jingle packages for WABC than any other station. These in turn were soon syndicated to stations around the country. Late in 1971, PAMS started work on Series #42a 'The Ignitors' which WPGC put on the air in 1972.

Rather than a collection of unrelated cuts, the package was an early attempt at accentuating the flow between the songs by use of 'subliminal logo triggers'. The latest in electronic gimmicktry such as phasing and flanging effects highlighted the series. Included in the sales pitch to stations was the claim, 'Ignite your listeners' consciousness with exciting trigger pads'.

 

Play Package Name Run
WPGC Play Audio Button PAMS - Series 42a - 'The Ignitors' (Auditions) :42
WPGC Play Audio Button PAMS - Series 42a - 'The Ignitors' (Originals) 2:49
WPGC Play Audio Button PAMS - Series 42a - 'The Ignitors' (Rehearsal) 1:12
WPGC Play Audio Button PAMS - Series 42a - 'The Ignitors' (Re-sings) 3:01
WPGC Play Audio Button Difference on the 'P-G-C' between the Originals & the Re-sings

 

The first series of cuts below are five demonstration jingles of what it would sound like if WPGC ordered them. These cuts used a variety of station logos on them (WABC and KLIF / Dallas to name a couple). When WPGC did order them, it's own logo was used instead.

 

Play Year Series 42a The Ignitors - Audition Run
  1972 'Cell' :XX
  1972 'Amplification' :XX
  1972 'Bias Beat' :XX
  1972 'Charge' :XX
  1972 'Flux' :XX

 

Harv Moore wrote:

I can't remember what station I heard that had the "full harmony" sound on the call letters, but I loved it. I'm a "song" guy. When Bob Howard gave the OK for new jingles, I knew exactly what I wanted. We ordered the PAMS package, and I sent a sample of the way I wanted it. They didn't do it. They suggested I come to Dallas to supervise the re-sings.

 

WPGC - PAMS - Series 42a - Ignitors

The actual Cue Sheet from PAMS Series 42a - 'The Ignitors' for WPGC.

 

Play Year Series 42a The Ignitors - Original Run
  1972 W (Horns) P-G-C :XX
  1972 (Wandering Horns) - WPGC :XX
  1972 (Wandering Horns) W - Weekend - PGC :XX
  1972 All Hit Music - WPGC :XX
  1972 Downbeat (& Ramp) WPGC :XX
  1972 WPG - Hi 'C' (Female Sing) :XX
  1972 W-P-G-C (Slow) :XX
  1972 W (Tympani) PGC :XX
  1972 WPGC - Lovin' Up Your Weekend (Stager) :XX
  1972 W - Golden - P-G-C (Stager) :XX
  1972 W - Golden - P-G-C (Stager) (Slow) :XX
  1972 W - Stereo - P-G-C :XX
  1972 W - Stereo - P-G-C (Slow) :XX
  1972 W - Good Morning - PGC :XX
  1972 W - Stare - Ree - Oh - PGC :XX
  1972 W (Shaft-Like Instrumental) - PGC :XX
  1972

W - PGC (& Music Trail)

:XX
  1972 W - PGC (Male Sing) :XX
  1972 (Music Fades In) - W - Pee - Gee - Cee :XX
  1972 W (Ascending EFX) - PGC :XX
  1972 Orchestra Intro - WPGC :XX
  1972 Da-Da-Da-Da - W-P-G-C :XX
  1972 (Water Drop) - W - PGC :XX
  1972 W - Bump-Bump-Bump-Be-Bump - PGC :XX
  1972 W - P- G - (Flanged) - C :XX
  1972 Bryan Lawrence (a capella) :XX
  1972 Jim Collins ( (a capella) :XX
  1972 Brad Scott (a capella) :XX
  1972 Johnny Jones (a capella) :XX
  1972 Dino DelGallo (a capella) :XX
  1972 big (Foghorn) Wilson (a capella) :XX

 

Harv selected the package but was dismayed if not 'ignited' with the result, leading to the jingles being re-sung in Dallas soon after their creation. Both the original and re-sings are included above for comparison. A rare, behind-the-scenes glimpse at the creative process of making jingles from inside the studio is also provided with a minute or so of the rehearsal just prior to the re-sings. Listen towards the end when one of the female singers can be heard below speaking with Harv.

 

Play Year Series 42a Ignitors - Rehearsal Run
  1972 Rehearsal Banter with Harv Moore :XX

 

Jonathan Wolfert of JAM writes:

On the originals they're singing the notes, F-D-G. The re-sings were sung to the notes, G-A-C and was an improvement. For one thing, the revised logo ended on the same note as the WABC logo which the tracks were originally written for. That first PGC logo ended much lower, so it didn't have the same punch.

 

Play Year Series 42a Ignitors - Resings Run
WPGC Play Audio Button 1972 'Charge' - W (Horns) P-G-C :07
WPGC Play Audio Button 1972 'Transflow' - Music To Music - WPGC :05
WPGC Play Audio Button 1972 'Cell' - Downbeat (& Ramp) WPGC :06
WPGC Play Audio Button 1972 'Clipper' - WPG - Hi 'C' (Female Sing) :07
WPGC Play Audio Button 1972 'Transcurrent' - Fades In - W-P-G-C (Slow) :08
WPGC Play Audio Button 1972 'Band Pass' - W (Tympani) PGC :07
WPGC Play Audio Button 1972 'Band Pass' - W (Tympani) All Hit Music PGC :07
WPGC Play Audio Button 1972 'Positive Love Wknd' - Lovin' Up Your Wknd :15
WPGC Play Audio Button 1972 'Modulation' - Recycle :05
WPGC Play Audio Button 1972 'Slow Modulation' - Golden :07
WPGC Play Audio Button 1972 'Insertion' - W - Good Morning - PGC :07
WPGC Play Audio Button 1972 'Cycle' - W - Shaft - P-G-C (Slow) (Stager) :09
WPGC Play Audio Button 1972 'Amplification' - W - Long Ramp - PGC :13
WPGC Play Audio Button 1972 'Bass Response' - W (Ascending Notes) PGC :04
WPGC Play Audio Button 1972 'Ohm' - W Note Fades In - PGC :03
WPGC Play Audio Button 1972 'Digital B' - W - Ascending EFX - PGC :04
WPGC Play Audio Button 1972 'Output' - W - Orchestra - Pee - Gee - Cee :06
WPGC Play Audio Button 1972 'Ion' - W - Da - Da - Da - Da - PGC :07
WPGC Play Audio Button 1972

'Digital C' - Album - WPGC

:06
WPGC Play Audio Button 1972 'Digital E' - Bump-Bump-Ba-Bump - W-P-G-C :04
WPGC Play Audio Button 1972 'Bias Beat' - W - Flanger EFX - PGC (Stager) :09
WPGC Play Audio Button 1972 'Flux' - Long W - PGC (Male Sing) :05
WPGC Play Audio Button 1972 'Flux' - Long W - Weekend - PGC (Stager) :05
WPGC Play Audio Button 1972 Harv Moore (a capella) :02
WPGC Play Audio Button 1972 'Columbus' (a capella) :01
WPGC Play Audio Button 1972 Big Wilson (a capella) :02
WPGC Play Audio Button 1972 'Alexander Goodfellow' (a capella) :02
WPGC Play Audio Button 1972 Todd Reynolds (a capella) :02
WPGC Play Audio Button 1972 'Bob Raleigh' (a capella) :01
WPGC Play Audio Button 1973 Ken Carpenter (a capella) :02

 

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1975

Play Year Package Name Run
  1975 'Energy 1' montage :XX

 

In addition to the PAMS 49 numbered series, they would from time to time put together more specialized custom jingles which were usually named. One of these from 1975 which was widely used by the RKO stations & many others including by WPGC was known as'Energy 1'.

 

Play Cut Cut Name Run
  01 Musicradio 1 (Fast) WPGC (Group Sing) :XX
  02 Musicradio 1 (Slow) WPGC (Group Sing) :XX
  03 Musicradio 1 (Slow) (a capella) :XX
  04 Musicradio 1 (Fast) (a capella) :XX
  05 Musicradio 2 (Fast) WPGC (Group Sing) :XX
  06 Musicradio 2 (Slow) WPGC (Group Sing) :XX
  07 Generic Tag - WPGC (Group Sing) :XX
  08 Musicradio 2 (Fast) (a capella) :XX
  09 Musicradio 2 (Slow) (a capella) :XX

 

There were two versions done of the 'Musicradio' logo. Although the first was widely used by WPGC, the second was not used at all.

 

Play Year Name Run
  1975 Hear the difference between both versions. :XX

 

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Play Year Package Name Run
WPGC Play Audio Button 1975 'LS Auditions' :12


When it came time for additional cuts in 1975, Program Director, Jim Collins (for whom this site is dedicated) looked no further than WLS in Chicago for a custom package known simply as 'LS Auditions'. The cuts on it were short, quick and to the point. Streamlined by design to get back into music quickly.

The package was the last to be ordered from PAMS, which by the mid '70's faced economic hardships that ultimately led to its demise in 1977 (though in later years, resings of many of the classic PAMS packages would be heard on numerous Oldies stations around the country, most notably at 66 WNBC in New York during its re-creation of WABC's '60's sound as the 'Time Machine' in the mid-80's, when ironically, Jim Collins worked on the air there).

 

Play Cut Name Run
  01 Ascending EFX 1 - WPGC :XX
  02 Descending EFX 1 - (Horns) - WPGC :XX
  03 (Drums) Music Radio - WPGC (a capella) :XX
  04 (Drums) Music Radio - WPGC (Group Sing) :XX

 

By the mid '70's, PAMS faced economic hardships that ultimately led to its demise in 1977 (though in later years, re-sings of many of the classic PAMS packages would be heard on numerous Oldies stations around the country, most notably at 66 WNBC in New York during its re-creation of WABC's '60's sound as the 'Time Machine' in the mid-80's, when ironically, Jim Collins worked on the air there).

 

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AIR CRC Futursonic
JAM Jingle Machine Mark-Century
Pepper-Tanner SPOT TM
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