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Dedicated in memory
of Jim
Collins
Dr.
McBlade WPGC Jingle Montage, 1959 - 1980
A 14:00 medley of various cuts used on the station
through the years.
Long download (don't even think about it without broadband), but
worth it!
Quick links
to jingle producers:

Individual
Jingle Packages
Futuresonic
All
jingles below are copyrighted by Futuresonic.
Thanks
to contributor Lee Whitney for the
above compilations, who writes:
Time
Sings:
The "Please What Time Is It" donut is probably
Futuresonic, but I have no idea what
package. I've never heard it elsewhere. Too bad I cut out the open
middle because the jock talked over it. I'm pretty sure all the
minute cuts are Futuresonic "Time
Chex" done in 1960. They were the lower priced competition
for CRC's "The Singing Clock."
These were professionally done, but were generic with no call letters
and cuts only for every five minutes. CRC
had undertaken the ludicrous task of customizing 720 jingles per
station--one per minute for 12 hours (AM and PM shared the same
cut).
Weather
Cuts:
"Weatherweatherweather" appeared on WPGC in 1960
- first the generic version then the "Big PG" version.
"Here Comes the Weatherman" was old when Jerry
G started using it - probably from 1958 or 59 when the station
was the 'New WPGC'. They often in-cued it to "From
the 1580 Weather Tower." "Mr. Weatherman, What's
The Weather Gonna Be?" is from PAMS
Series 9. "Mr. Weatherman What's The Score"
appeared about 1961. "Come In Mr. Weatherman" is
older but I don't know how old. "Will it be warmer"
was also heard on other stations, maybe WKBW / Buffalo. I would
guess that all the jingles except the known PAMS
cuts are Futuresonic, but I don't know
for sure.
All jingles below are copyrighted by PAMS
of Dallas,
and are used
by permission. Special thanks to Jonathon Wolfert
as well as contributors Lee Whitney and Norman
Barrington.
Mark-Century
All
jingles below are copyrighted by Mark-Century.
Program
Director, 'Cousin'
Warren Duffy ordered these jingles upon his arrival in 1966. This
stripped down package simply didn't compare to other more polished
offerings out at the same time from other competitors. Their use on
the air was mercifully brief! Thanks
to contributor Lee Whitney for the above.
SPOT
Productions
All
jingles below are copyrighted by Spot Productions of Dallas.
Also
ordered by Program
Director, 'Cousin'
Warren Duffy in 1966. Most notable was Spot Production's
thinly disguised rip off of the enormous Bat-craze then sweeping
the nation with 'Thatman'.

Pepper
/ Tanner
All
jingles below are copyrighted by Pepper / Tanner of Dallas.
The
arrival of a new Program
Director invariably meant new jingles on WPGC. Such was
the case with Charlie Scheu
who ordered these high powered (& loud!) packages from Pepper-Tanner.
The arrangements on these cuts were distinctly different from the
typical big band PAMS
cuts from earlier in the decade and featured a noticeably more youthful
singing group. Truly, in-your-face and in-your-ears jingles at their
best!
JAM
Creative Productions
Most of these
jingles are still available today. Visit JAM's
website.
All
jingles below are copyrighted by JAM
Creative Productions, Dallas and
are used by permission. Special thanks to Jonathon Wolfert.
'Logoset
/ Priority One'
cut
in April 1976 was the first JAM
package used on WPGC and were ordered by Program
Director, Jim Collins. 'Priority
One' was originally produced in 1975 for WDIA in Memphis
while 'Logoset' was the first
JAM package cut
for WABC.
'Positron'
was a custom package for WABC
in 1977 and went on to become one of the most widely syndicated packages
in JAM's history.
Program Director, Dan
Mason ordered it for WPGC in early 1978.
'Express
Pack' was another JAM
collection from 1978, obstensibly for WQXI in Atlanta. The demo heard
here also included cuts for WPGC, in the hope the station might order
them. It didn't, perhaps because 'Positron' was so new on the
station at the time.
'Specialty
Cuts' from August 1979 were not part of any particular
package overall but intended as an addendum to existing ones in use
at the time with cuts for specific usage such as morning show features
like 'Day Off With Pay' and 'Boss Of The Day'. Also
included on this brief package was the widespread Hallelujah Choir's
treatment of 'Elliott & Woodside' including deliberate
outtakes on the latter's name.
At
the tail of this set, listen for the Choir's similar treatment
of 'Congressman Cottonpicker for President' that were cut early
in 1980. The first two of these were the originals; the latter two
were the re-sings with the accent on a different syllable.
'Christmas
Kit' from December 1979 was
actually cut for WABC
in December 1978 and was JAM's
first Holiday package. The cuts were used extensively during WPGC's
annual '24 Hours of Christmas' special each year.
'Whisper
Chants' from June of 1980 were used as quick drop-ins between
songs to identify the station without interrupting the flow of the
music. As the more-music battle with Q107
heated up, other cuts touting '30 Minute Music Sweep' and 'More
Continuous Music, WPGC' were created. Likewise for the station
promotion, 'Free Money Hi-Lo'.
As
Disco gasped it's last dying breath in 1980, 'The
Music Sounds Best' was ordered
by Program Director,
Scott Shannon. As a stand alone
cut, it may very well have been part of another JAM
package out at the same time.
'Foxx
& Theismann Shouts' debuted
in early 1982 when Elliott &
Woodside bolted for Q107.
The 'Walker & Howe Shout'
replaced it later that year when Dude
Walker & J. Robert Howe
succeeded Dave Foxx & Joe
Theismann in mornings. In between however, 'Double
Plus', originally created for WYNY in New York premiered
on WPGC. Sadly,
it was to be the last package ever ordered from JAM.
TM
'Radio
Express' was ordered by Program
Director, Steve Kingston
in July of 1981 and was used through the Summer of 1982. It was re-done
less than a month later with a minor change in the cadence of the
call letters from the original three beat 'P-G-C' to a two beat 'PG-C'.
The package was used again briefly in 1983 after 'Double
Plus' but before
'95 PGC' below was ordered in 1984. Visit
the TM / Century site.
Special
thanks to Tracy Carman & Media
Preservation Society for the above.
Jingle
Machine
In
1984, Program Director,
Al Casey wanted to get some new jingles.
With the station in the ratings toilet with revenue to match, there
was very little funding available for a package from any of the major
jingle producing companies.
He
opted instead to have a series cut locally at a recording studio in
Rockville on Kenilworth Avenue where commercials were often created,
but jingles for radio stations were not. The resulting package from
'The Jingle Machine' called '95 PGC' was okay for a
home grown affair but hardly the same quality of the illustrious packages
from Dallas that had graced the station's airwaves for decades before.
Jock
Jingles
Covering
the gamut over the years from various packages, here are DJ Shouts,
Sonovox & sung cuts.
Name
That Jingle Package!
It's
often difficult to determine which jingle package was in use from
any given aircheck because of isolated cuts from previous packages
still being in use at the time. Below
is a rough approximation of the most likely scenarios for the time
period indicated.
1965
Jingle Montage (1:25)
Many
of these jingles used early in 1965 are most likely from
©
PAMS Series 27 'The Jet Set'
from 1964, although numerous cuts from earlier packages were still
in use. For example, those featuring two young girls singing alone
are from © PAMS Series 25 - 'The Happy Difference' -
(See above).
1968
Jingle Montage (:33)
As
was typical in the heavily jingle driven Top 40 era, numerous cuts
from previous packages were still heard when a new package arrived
at the station. Cuts at the end of this montage are from
Pepper-Tanner's 'The
Now Sound' in 1968 (See above).
1971
Jingle Montage (:22)
Case
in point, the first few cuts here in use from 1971 were actually
from the package above from three years earlier. The ID cuts at
the end were not however.
Odds
& Ends
Misc.
Audio
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Small
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